Constructualism is a methodology shaped through experimentation and acts of survival. It signifies that the body participates actively and knowledge emerges directly through creation. What arises is often not what was intended — the props built, the drawings made, the movements performed — and confusion is part of the process, not a failure. The walls of how art “should” be is deconstructed. The work is alive, organic, and sometimes urgent. Recording of events may exist, but it is never the priority.
It supports other forms of art, sciences, agriculture, activism, and diverse ways of living, responding as an emergency action. These practices are rooted in the concepts of restoration, preservation of beauty, ecological care, and collective practices, rather than spectacle or luxury.
It is closely connected to machines and materials essential to the work, which at times become part of the body. Especially when the body collaborates with medicine, and this collaboration is a necessity, as experienced by people with disabilities. It is a movement on its own, a structure in constant change. When renovation happens, everyone can connect with their own ideas of construction. Everything exists in a continuous process of change, evolution, and transformation.